Square / Rectangle to Round Transition

Develop a square-to-round or rectangle-to-round transition into one flat pattern. Rectangle, round diameter, height and an optional offset in: an exact flat pattern, the true lengths for laying it out by hand, corner bend lines and a DXF out.

The method behind it: How to lay out a square-to-round by hand — step by step, with sources.

Dimensions

The two openings
Units
Height is the vertical distance between the two opening planes.
Offset of the round
From the rectangle's centre to the round's centre, in plan. Negative values move it left or to the front.
Pattern
Where the flat pattern is split. The area and the rectangle and round edge lengths stay the same.
Two: a second seam opposite the first. Four: a seam at the middle of every side.
Straight lines across each corner for brake forming. 0 for none.
How far the exported round edge may depart from the exact curve, in the units above (switching units converts it).

Results

One closed outline per piece on CUT; corner bend lines on BEND.

Preview

Flat pattern

  • Outline — cut
  • Corner bend lines
  • Where flat sides meet corners — not exported

Shown from the outside: the rectangle edge runs along the bottom from the seam, the round edge along the top.

The transition

True lengths — for laying it out by hand

Each side of the rectangle rises to the point of the round whose tangent runs parallel to that side — on a centred part, straight in from the middle of the side. The slant is the true length from the middle of the side to that point; the corner lines bound the flat triangle on that side, and each is named by its corner.

Corner fans — the lines across each corner

Each corner is laid out as a fan from the rectangle corner to equal divisions of its quarter of the round (the bend-line divisions). The corner lines are straight lines on the part, so their true lengths are what you lay down. The step between neighbouring points is measured on the flat pattern: slightly longer than the straight chord across the round, which is why stepping the chord leaves the round edge short. Walk each corner anticlockwise seen from above.

How this tool is verified

  • Geometry checked against hand-derived golden cases and geometric invariants — developed arc equals true circumference, metric and imperial inputs give identical millimetre geometry.
  • Every exported DXF is read back and audited by ezdxf, an independent DXF library that had no part in writing it (ezdxf 1.4.4).
  • Output is deterministic: the same inputs produce the same file, byte for byte, with a version tag in the header.

The method, the reports and the responsibility boundary are on the Verification page.

Built by Ruthen Systems

Free, with no account, and the dimensions you type never leave your browser. If a result looks wrong, or the option your shop needs is missing, say so — reports of a wrong result are dealt with first.

Report a problem or request a tool

Assumptions and limits

Read these before you cut anything. They describe exactly what this tool does and does not account for.

  • The rectangle and the round lie in parallel planes, with the rectangle not rotated in plan.
  • The round must sit inside the rectangle in plan (converging) or the rectangle inside the round (flaring). Any other case is refused: this tool was built and checked for those two only.
  • Dimensions are developed exactly as entered: enter the surface you want the pattern of (usually the mid-thickness for formed plate). No thickness or corner compensation is applied.
  • The corners are developed exactly by numerical integration, not by the shop approximation of a few flat triangles; the round edge is a sampled polyline held within the maximum deviation you set.
  • One piece with one seam where you choose it, or two or four pieces with their seams at the middles of the sides (two pieces may instead be split on two diagonally opposite corner lines). No seam, lap or flange allowance is added.
  • Bend lines across the corners are straight generators of the corner cones, equally spaced around the round — the lines a brake operator bumps along. Their number is yours to choose.
  • Geometry is nominal. Check the formed part against the real openings before cutting a batch.

Output is a planning and fabrication aid. You are responsible for verifying dimensions, tolerances and material behaviour before production — full disclaimer.

Worked example

600 × 400 rectangle to a 300 round, 350 high, centred.

  • Front slant353.55 mm
  • Front corner → apex463.68 mm
  • Right slant380.79 mm

Hand-checkable with Pythagoras. The front apex is the front-most point of the round, (0, −150, 350); the front middle is (0, −200, 0), so the slant is √(50² + 350²) = 353.55. The corner (−300, −200, 0) to the same apex is √(300² + 50² + 350²) = 463.68. The right slant is √(150² + 350²) = 380.79.

Method

A square-to-round is the classic exercise in triangulation. Kittredge sorts pattern problems into parallel forms, regular tapering forms and irregular forms, and develops the irregular ones by triangulation (G. W. Kittredge, The New Metal Worker Pattern Book, 1901, Ch. V, pp. 71–72; public domain).

Four flat triangles and four corners

Each side of the rectangle is joined to the one point of the round whose tangent runs parallel to that side — the front-most point for the front side, and so on. That gives four flat triangles. Between them, each rectangle corner is joined to a quarter of the round: a piece of an oblique cone with its tip at the corner. Because each triangle contains the round's tangent at its apex, it meets the neighbouring cones without a crease, so the whole part rolls flat.

Developing the corners exactly

The shop method cuts each corner into a few flat triangles and lays them out one by one from their true lengths. Here each corner is unrolled exactly instead: around its tip, every line to the round keeps its true length, and the angle between neighbouring lines is the angle between them in space, added up by numerical integration to machine precision. The result is what hand triangulation approaches as the triangles get thinner.

In two or four pieces

How many pieces an article is made in depends, Atkins says, on cutting the sheet economically and easing the bending, weighed against the extra joints (E. A. Atkins, Practical Sheet and Plate Metal Work, 2nd ed., p. 109). Most books we checked draw a square-to-round’s half pattern with its seams at the middles of two opposite sides, each half carrying one whole side, two corners and two half sides (Kittredge (1901), pp. 327–328; E. M. Longfield, Sheet Metal Drafting (1921), pp. 188–190), and two say the part is made in two pieces: J. S. Daugherty, Sheet-Metal Pattern Drafting and Shop Problems (1922), pp. 154–156, a chimney base; Laying Out for Boiler Makers, 3rd ed. (1922), p. 373. Neubecker draws a half pattern whose free edges are the corner lines at two diagonally opposite corners (W. Neubecker, Sheet-Metal Work (1920), pp. 20–22). No book we found shows a square-to-round made in four pieces: the quarter between two mid-side lines is the unit they draft, and the ICS textbook says developing only a half or a quarter is customary because these patterns are usually too large for one piece of metal (ICS, A Textbook on Sheet-Metal Pattern Drafting (1901), §18, pp. 53–55). The tool offers four pieces split at those mid-side lines.

With the round offset the corners all differ; Kittredge develops each corner and side separately (Kittredge, pp. 331–333), and Kidder shows that a round offset along the split line gives two halves that are one blank formed opposite-hand (F. S. Kidder, Triangulation Applied to Sheet Metal Pattern Cutting (1917), pp. 26–32). Here each piece is unrolled from its own seam and turned so its rectangle edge lies level, and whether it is a copy or a turned-over copy of another is decided by comparing the developed outlines. The books add laps or locks on the seam edges (Daugherty, p. 154; Longfield, p. 190); the pieces here have none, so add them for your seam.

How this tool is checked

Hand-worked true lengths; invariants of an exact development — the rectangle edge unrolls to the true perimeter, the round edge to π × D, the pattern's area equals the surface area computed separately in 3D, and moving the seam changes none of them. A second implementation, written separately in Python, does it the shop way with over 4,000 flat triangles per corner, unrolling the surface as one strip with every triangle placed from its true distances; it must agree with the exported DXF, read back with ezdxf, to a few thousandths of a millimetre. It runs on every release, on the one-piece pattern. For the pieces, the tests check that their edges and areas add up to the one-piece pattern, that each seam, measured on the developed outlines, has the same length on both pieces it joins and equals its true length in 3D, and that the seam lengths match those we worked from the dimensions of the ICS and Neubecker examples (13.0000 and 12.0104 in; 3.5089 in).

Exact versus approximate

The corners are developed exactly by numerical integration, not by the shop approximation of a few flat triangles; the round edge is a sampled polyline held within the maximum deviation you set.

What is not covered

Rotated or tilted openings, a round that overhangs only some sides, four pieces split on the corner lines, thickness and seam allowances, and forming springback.

Questions

Does it do rectangles, or only squares?

Any rectangle, and the round can be offset in both directions. A square is just the case where width and depth are equal.

Why does it refuse some combinations?

It handles two cases: seen from above, the round sits inside the rectangle (the usual reducing transition), or the rectangle sits entirely inside the round (a flaring one). If the round sticks out past any side while some corners of the rectangle stay outside it, the tool refuses. That is a limit of this tool — it was built and checked for those two cases only — not a claim that such a transition cannot be developed.

How is this different from triangulating it by hand?

Hand triangulation divides each corner into a few flat triangles, typically three or four, and each one makes the developed round edge a little short — the round then does not quite close at the true diameter. Here the corners are developed exactly, so the round edge is π × D long to within the sampling deviation you set. The independent check runs the hand method with over 4,000 triangles per corner and requires the two to agree. Laying out by hand? The corner-fan table gives each corner line and the step between points as measured on the flat pattern, so a hand layout lands on the exact outline.

What are the bend lines?

Straight lines across each corner from the rectangle corner to equal divisions of the round — the lines a press-brake operator bumps along to form the corners. They are on their own BEND layer. Choose how many per corner; zero leaves them out.

Which dimensions should I enter for plate?

Dimensions are developed exactly as entered: enter the surface you want the pattern of (usually the mid-thickness for formed plate). No thickness or corner compensation is applied. For thin sheet the difference between inside, outside and mid-thickness is small; for heavy plate, decide which surface has to fit and enter that.

Where does the seam go?

In the middle of the front side, the middle of the right side, or along the front-left corner line. Moving the seam changes where the flat pattern is split, so the seam length, the blank size and the order of the tables change; the area and the lengths of the rectangle and round edges stay the same. With two or four pieces there are more seams; see the next question.

Can it cut the pattern in two or four pieces?

Yes; a big transition rarely fits one sheet. Two pieces put a second seam opposite the first: at the middle of the opposite side, where most of the old pattern books split their half patterns, or, with the corner-line seam, on the diagonally opposite corner line, where Neubecker’s half pattern ends. Four pieces put a seam at the middle of every side. No book we found shows a square-to-round made in four pieces, but the quarter between two mid-side lines is the unit they draft; four pieces split on the corner lines appear nowhere, so that is refused. Each piece is developed on its own. With the round offset the pieces usually differ, though halves split along the line of the offset, and quarters when the offset is along one axis, come in turned-over pairs; the table says which pieces are copies, or turned-over copies, of another, found by comparing the developed outlines rather than assumed.

What is in the DXF?

One closed POLYLINE on the CUT layer — the whole developed outline — and the corner bend lines, if you asked for any, as LINEs on the BEND layer. With two or four pieces, one closed outline per piece: all of them side by side, or one piece at a time. Nothing else: no text, no construction lines.

Missing an option?

A different datum, an offset, a shop allowance, another shape altogether — say what this tool does not cover yet. Requests decide what gets built next, and a report of a wrong result is dealt with before anything new.

Rather have the whole part drawn — a shop drawing or a cut file from your sketch? That is paid drafting, quoted per job: drafting for small shops.

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